KNIVES Out takes the whodunit genre and flips it on its head, and then flips it again just for good measure.
This modern take on the genre features iPhones and references to Hamilton and Baby Driver, but retains a vintage vibe via the extraordinarily gothic mansion that in some ways is the star of the film.
This mansion belongs to Harlan Thromby (Christopher Plummer), a renowned crime writer who is discovered by his extended family with his throat slit the morning after his 85th birthday party.
Each family member is interviewed by local police, before private detective Benoit Blanc (Daniel Craig) emerges from the shadows with his eccentric southern drawl to take over the questioning.
Blanc soon realises that motives abound and what was first thought to be a suicide could be something more.
Fans of murder mysteries knows that, despite the gruesome subject matter, whodunits are comforting viewing because every story, whether Sherlock Holmes or Midsomer Murders, works within the confines of familiar tropes before wrapping everything up neatly at the end.
Writer and director Rian Johnson deploys these tropes to his full advantage, playing around, parodying and subverting them in a way that is delightful and hilarious to watch.
It is quickly apparent that the real protagonist of the film is Marta (Ana de Armas), Harlan’s nurse and companion who is Latino, though the family can never quite remember which country she comes from.
They constantly tell her she is one of the family, but their liberalism quickly falls to wayside when their sense of order and superiority is threatened.
Rather than returning to a traditional sense of order like most whodunits, Knives Out ends with the creation of a new order in a way that is politically relevant and immensely satisfying.
With something fun or new to enjoy at every twist and turn, Knives Out is the non-franchise blockbuster we have all been craving.
Knives Out (M)
Director: Rian Johnson
Starring: Christopher Plummer, Daniel Craig, Ana de Armas